A wealthy individual asks an architect to design a
house that is not only not visible from the street, but also capable of
complete self-containment, with all of the entertainment and exercise spaces
the owner might need as well as storerooms for food, security systems for
protection, and a safe room for escape from intruders.
In his book Anarchy, State, and Utopia, the
philosopher Robert Nozick asks if we would call people happy if they spent
their lives floating in a tank, with electrodes on their skulls attaching them
to “experience machines” that constantly simulated pleasurable thoughts and
feelings. Most people would react to Nozick’s science fiction fantasy with the
response that: no, such people might feel happiness because of the artificial
stimulation of pleasure points in the brain, but we would not call a life spent
attached to a machine as a happy one. A happy life does not mean a lack of
unhappiness. Indeed, we generally conceive of a happy life as one that has
overcome unexpected setbacks, achieved meaningful accomplishments, and entailed
a sense of purpose – in other words, some level of unhappiness or at least a
degree of challenge or hardship.
That idea has sometimes
gotten lost in a consumer culture that has encouraged us to equate happiness
with wealth, privacy, and having a lot of stuff. As a result, many people have
grown accustomed to seeing happiness as a lack of pain, suffering, or even
inconvenience, as if such a life – short of being attached to an experience
machine our whole lives – were even possible. Nor is it logical. We cannot know
the meaning of anything without also knowing its opposite or its lack, and so
the experience of happiness depends at least to some degree on the experience
of unhappiness, which serves as a measure against which we can gauge our
transcendence of it.
Architects and designers
often confront this illogical or unbalanced view of happiness when dealing with
the wealthiest of clients. In a world where inequality has reached record
proportions, with a small percentage of people controlling a huge percentage of
the wealth, the capability of the super-rich to afford almost anything has
become legend. This, in turn, can lead to requests such as the one made to the
architect in this case, where a very wealthy client wants a house that can be
completely autonomous and cut-off from the community around it. Such a house has
many of the characteristics of Nozick’s “experience machine,” able to simulate
almost every pleasure imaginable.
But does that constitute
happiness? Design professionals – and, indeed, many people – tend to shrug off
such a question. Along with our tolerance of intolerable levels of inequality
has come a view of happiness as something subjective and as a result, different
for each individual. If this client can afford a house like that and it makes
him and his family happy, who can argue? Certainly most designers won’t, since
the extent of their fees relates to the size and expense of the projects they
work on. The more elaborate the requirements of clients, the most extensive the
fees of the designers.
But happiness is not
entirely subjective, as we see from Nozick’s “experience machine.” Most
of us can agree on the basic constituents of a happy life – one that includes good
relationships with family and friends, a sense of purpose and accomplishment, a
sense of health and well being, and so on. Past a certain level, having more
stuff – especially if it comes at the expense of these other values – does not
make us more happy; it makes us less.